NEWS
The Netherlands Philharmonic Orchestra named Marc Bouchkov as its 2022/2023 artist-in-residence
In November starts Marc's residency with the Nederlands Philharmonisch Orkest at the Concertgebouw in Amsterdam. During his residency, Marc will perform three violin concertos with the orchestra, by Korngold, Stravinsky, and Brahms. The first performances will take...
Marc’s work “Im Memoriam A.B.” will be performed in Berlin
The Grand Prix Emanuel Feuermann in Berlin will open on November 15, featuring, among others, Marc's work "In Memoriam A.B." The competition will open at the Great Hall of the Jewish Museum Berlin featuring also works by Francis Poulenc, and Johannes Brahms. More...
Marc performed in Lugano, Switzerland
Marc's performance of Prokofiev's Violin Concerto n. 1 at the LAC in Lugano with the OSI under conductor Michele Mariotti at the end of September has been praised by critics. Enrico Colombo wrote: "The sound of the violin has always dominated for strength and...
Marc returns to Verbier Festival
On July 20, 21, and 23, audiences will be treated to three chamber music evenings with Marc at the Verbier Festival 2022, first performing the piano trio by Ravel and Piano Trio n. 1 by Arensky, alongside Zlatomir Zung and Mao Fujita. This concert will be broadcast...
Last Marc’s concert on June 26
On Sunday 26 June, Marc finishes his journey in Japan. He will perform Tchaikovsky's violin concerto at the Kanagawa Kenmin Hall, with the Kanagawa Philharmonic Orchestra under conductor Keiko Mitsuhashi. More information at the following link:...
An outstanding solo violin recital in Tokyo
On June 24, at the Toppan Hall in Tokyo, Japan, Marc is performing a well-contrasted program of unaccompanied violin works, merging virtuosity with lyricism and solemn reflection. Bach's incomparable solo works Sonata n. 1 and Partita n. 2 (including the monumental...
Bouchkov played this […] in an involving performance […] the level of energy and intensity went up a notch in the Adagio-Andante movement. There, the music stews in inner thoughts, and it was impressive that Bouchkov found the resources here to stoke the fire. He and Hoffman played Kodàly’s lines with relish […] Their engines burned hotter and hotter through the final movement, and the sheer dedicated force of their playing was affecting and satisfying. The spirit and commitment to joy remained superb.
New York Classical Review, George Grella, Feb. 23, 2020
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